Communication Adaptation in Investigative Interviewing
Communication Adaptation answers one question: is how I’m communicating working for this person? It is an observation-and-feedback process, not a personality test. The interviewer observes how the person is communicating, considers what may be affecting the exchange, makes the smallest reasonable adjustment, and verifies whether it improves understanding and participation.
The core tool of the Adapt direction
Start with the observable needs in the conversation
Communication adaptation begins with observable needs in the conversation. The interviewer attends to pace, language, detail, turn-taking, organization, social energy, and processing space; considers explanations involving the person, the interviewer, the task, and the conditions; makes the smallest reasonable adjustment; and keeps it only when it improves understanding, participation, rapport, or information quality.
Communication behavior guides process adjustments. It is not used to diagnose personality, predict behavior, or assess credibility or deception. It does use DISC, a communication-style model tracing to William Moulton Marston, as a working style hypothesis to guide rapport, tested by whether the adjustment helps.
The question the direction answers is practical: what does this exchange need right now, and did the change I made actually help?
Observe. Consider. Adjust. Verify.
The four moves run in a loop, not a straight line. The interviewer repeats them as the conversation changes, keeping behavior in its proper place, as information about the exchange, not a verdict about the person.
Attend to what is visible in the exchange: pace, language, level of detail, turn-taking, organization, social energy, and how much processing space the person seems to need. Describe what happens, for example the person became quiet, rather than assigning a hidden internal state.
Hold more than one explanation. A change in the exchange could involve the person, the interviewer, the task, or the conditions. Use may or could, and keep the alternatives open rather than settling on the first read. A DISC style read can supply one working hypothesis here; Verify decides whether it stays.
Make the smallest reasonable change: slow the pace, simplify the wording, restructure a question, protect response space, or clarify the task. One modest adjustment at a time, so it is clear what worked.
Check whether the adjustment improved understanding, participation, rapport, or information quality. Keep it if it helped, drop it if it did not. The reaction to an adjustment is feedback about the process, never a test of honesty.
Behavior in the exchange, described plainly
The interviewer watches the conversation, not the person’s character. The observable signals are visible without any instrument: how fast the person speaks, how much detail they offer, how they take turns, how they organize an account, how much social energy they bring, and how much space they need to process a question before answering.
Observation manages the conversation. Evidence tests the account. ASC teaches interviewers to watch nonverbal and verbal behavior closely, because it tells you how the conversation is going: whether rapport is building or slipping, when a topic is becoming hard to discuss, and when emotion may be getting in the way of a full and accurate account. Early in the interview, the interviewer learns how this person ordinarily communicates (their communication baseline), so later changes stand out. A change is a prompt to check and adjust: slow down, clarify, take a break, rebuild rapport, or return to the topic later. It never tells you whether the person is lying. Deception is identified through inconsistencies with evidence, not body language.
Those observations serve four uses. Each one pairs what the interviewer may notice with a process adjustment, never a conclusion about the person.
Is the working relationship building or slipping?
Cues you may notice: answers getting shorter than this person’s communication baseline, fewer volunteered details, less mutual attention or coordination than earlier, the person watching you for approval, or pushback on your wording.
What you do next: check your own contribution first (pace, interruptions, tone), restate the purpose and the person’s control, give the floor back with an open invitation, and rebuild rapport through voice, respect, neutrality, and predictability.
Has a subject become harder to discuss?
Cues you may notice: longer pauses at one topic, vaguer chronology at a particular point, a shift to “you” or the third person, a request to repeat the question, or a change of subject.
What you do next: slow down, explain why you are asking, break the question into parts, offer control over pacing, or flag the topic and return to it later.
Is emotion getting in the way of a full and accurate account?
Cues you may notice: a change in voice, tearfulness, agitation, rapid speech, freezing, or losing the thread of the account.
What you do next: pause, acknowledge the difficulty without judging it, offer a break, restore safety and predictability, follow trauma-informed safeguards where they apply, and resume when the person is ready.
What pace and approach will help this person communicate?
Cues you may notice: pace (fast and outgoing, or measured and reserved) and focus (on tasks and facts, or on people and relationships), read from verbal and nonverbal behavior.
What you do next: form a DISC style read as a working guess, adjust your pace, structure, and framing, then verify whether rapport, comprehension, or the flow of information improved.
These are conditions to check, not conclusions. A person who gives short answers may be guarded, may be tired, may not understand the question, or may simply communicate that way. A person who tells long stories may be building rapport, may be anxious, or may be avoiding a topic. The observation identifies something worth checking. It does not settle what caused it.
Prefer plain description over interpretation: “the person paused and asked for the question again” is more useful, and more fair, than “the person was being evasive.”
Four places an explanation can come from
Before adjusting, the interviewer considers where the difficulty may be coming from. A stall in the exchange could involve the person (fatigue, stress, language, unfamiliarity with the process), the interviewer (an unclear question, a fast pace, a confusing structure), the task (a hard topic, a long timeline, a request to recall detail), or the conditions (the room, interruptions, time pressure, who else is present).
Keeping all four in view protects the interview from the most common error: assuming the person is the problem when the question, the task, or the room is what needs to change.
Reading style: DISC
Reading style to build rapport. People communicate at different speeds and with different priorities. ASC teaches interviewers to use the DISC model, which traces to William Moulton Marston’s work in the 1920s, as a practical vocabulary for those differences. Early in the interview, the interviewer reads verbal and nonverbal cues along two dimensions: pace (fast and outgoing, or measured and reserved) and focus (on tasks and facts, or on people and relationships). From those cues, the interviewer forms a working guess about the person’s communication style and adjusts:
Be brief and direct, explain the purpose up front, and avoid long preambles.
Allow conversational warmth, then use structure to bring the account back to detail.
Slow down, explain each step of the process, and give reassurance about what happens next.
Be precise, give structure, and welcome questions about accuracy and wording. In Joe’s experience, the Pen Standard often lands especially well here.
The style read is a hypothesis, not a finding. The interviewer adjusts, then verifies: did rapport, comprehension, or the flow of information improve? If not, the read is dropped. Style can shift under stress or as topics change, so the read is checked again. A style read is never written into the record as a conclusion about the person, never used to judge truthfulness, and never used to predict behavior, conduct, or fit.
In the four moves, DISC supplies the working hypothesis during Consider, and Verify decides whether it stays. It is one possible explanation held alongside the others (the person, the interviewer, the task, and the conditions), not a replacement for them.
DISC is used here as a practical communication vocabulary, not a validated assessment instrument. Its value in the interview is measured by whether the adjustment improves the conversation.
The smallest reasonable change, kept only if it helps
The adjustment is deliberately small: slow down, use plainer language, break a question into parts, give more response space, or restate the task. Making one change at a time keeps the cause and effect legible, so the interviewer can tell what actually improved the exchange.
Then the interviewer verifies. Did understanding improve? Did participation increase? Did the account become clearer or more complete? If yes, the adjustment stays. If not, it is dropped and another is tried. The verification step is what separates communication adaptation from guesswork: the change is only worth keeping if the conversation gets better because of it.
The result of the loop is a clearer, better-preserved account, not agreement, compliance, or a judgment about the person.
What Communication Adaptation does not do
Communication Adaptation is a process discipline, not an assessment. It does not diagnose personality, type the person, or measure character. It does use DISC as a working style hypothesis to guide rapport, tested by whether the adjustment helps. It does not predict honesty, deception, guilt, memory accuracy, future conduct, job fit, coachability, or how testimony will land at trial. It is not a validated instrument, a behavioral-science model, or a research-validated method.
Culture and context shape communication, so reads are held loosely. What looks like directness in one setting may be ordinary courtesy in another; what looks like reticence may be a deliberate choice. The interviewer treats every observation as a condition to check, not a label to apply, and adjusts the process without deciding what the behavior means about the person.
A boundary worth stating plainly: in the Compass, Communication Adaptation shapes how the interviewer speaks, paces, and frames. It is never used to assess credibility, detect deception, or support an investigative conclusion. No finding in any ASC-trained interview rests on a communication read.
Communication Adaptation inside Teach to Talk®
Communication Adaptation is integrated into the Teach to Talk® system as the discipline of adaptive communication, and into the Adaptive Strategies Compass™ as the core tool of the Adapt direction. Students do not learn a static test; they learn to observe the exchange, consider more than one explanation, make a proportionate adjustment, and verify the result.
The Observe, Consider, Adjust, Verify structure is practiced across ASC programs, including The Academy, Strategic Workplace Interviewing for HR professionals, and From Information to Evidence, with role-play, video review, and feedback on whether each adjustment improved the exchange.
Adapt is the direction the interviewer turns to when rapport is slipping, a topic is becoming hard to discuss, emotion is crowding out the account, the interviewer’s style does not fit the person’s (they want brevity and you are explaining; they need time and you are moving fast), or language, an interpreter, disability, or fatigue is affecting the exchange. It applies to everyone: trauma-informed adjustments for victims, a plain and predictable process for witnesses who fear involvement, and, for suspects, rapport that means a fair working relationship, not agreement. The cue is simple: “Change me before I change the question.”
Where it comes from. Communication Adaptation draws on research showing that adaptive interviewer behavior supports engagement and disclosure, including the Observing Rapport-Based Interpersonal Techniques (ORBIT) work of Laurence Alison and colleagues, which builds on Leary’s interpersonal circle. ASC’s version differs in one deliberate way: it does not classify the person’s interpersonal style or stance. It adjusts the interviewer’s process and checks whether the change helped. Related research includes Tickle-Degnen and Rosenthal (1990) on the nonverbal markers of rapport (mutual attentiveness, positivity, and coordination), procedural-justice research (Tom Tyler), and Bond and DePaulo (2006) on the limits of judging deception from demeanor.
The author’s contribution is narrow and specific: the Observe, Consider, Adjust, Verify operating structure and its placement inside the Compass. The underlying idea, that skilled interviewers adapt to observable communication needs, is long-standing professional practice.
Train your team to observe and adapt
ASC integrates Communication Adaptation into every interviewing course. The Academy is the deepest dive.